Doclisboa seeks to imagine reality through new cinematic forms of perception, reflection and action, placing filmmaking into dialogue with its history to question the present of cinema. Doclisboa is interested in films that are rigorous about their conceptual and formal implications; films that experiment with cinema’s artistic and political possibilities and refuse to be categorized; films that engage with and mirror the complexity of the world. Doclisboa offers a ground where cinema and the contemporary are investigated as acts of being together in, and with, time.

doclisboa

Ulrike Ottinger Retrospective

Ticket of No Return

Bildnis einer Trinkerin

Ulrike Ottinger

1979 • FRG • 109’

ticket of no return doclisboa 3

© Ulrike Ottinger

The first part of Ottinger’s Berlin trilogy offered a radical feminist contribution to the New German Cinema canon. It is a time capsule of Berlin in the 1970s, an account of its underground culture and a sight-seeing tour around the city’s bohemian spots.

21 Oct / 15:30 / 109’

Cinemateca – Sala M. F. Ribeiro

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Ticket of No Return

Ticket of No Return

Berlinfever – Wolf Vostell

Ticket of No Return

Chamisso’s Shadow (part #1)

Ticket of No Return

Chamisso’s Shadow (part #2)

Ticket of No Return

Chamisso’s Shadow (part #3)

Ticket of No Return

China. The Arts – The People

Ticket of No Return

Ticket of No Return

Dorian Gray in the Mirror of the Yellow Press

Ticket of No Return

Ticket of No Return

Ticket of No Return

Ticket of No Return

Johanna d’Arc of Mongolia

Ticket of No Return

Ticket of No Return

Madame X – An Absolute Ruler

Ticket of No Return

Paris Calligrammes

Ticket of No Return

Ticket of No Return

Southeast Passage

Ticket of No Return

Ticket of No Return

Superbia – The Pride

Ticket of No Return

Ticket of No Return

The Enchantment of the Blue Sailors

Ticket of No Return

The Korean Wedding Chest

Ticket of No Return

Ticket of No Return

Ticket of No Return

Ticket of No Return