31 Oct | Cinema S\u00e3o Jorge, Sala 3<\/p>\n
14.45<\/p>\n
N\u016bh\u016b Y\u00e3g M\u016b Y\u00f5g H\u00e3m: This Land is Our Land!<\/strong>, Isael Maxakali, Sueli Maxakali, Carolina Cangu\u00e7u, Roberto Romero INATEL Foundation Award for Best Film Dealing with Cultural and Traditional Practicesas well as Intangible Cultural Heritage<\/strong><\/p>\n _____________________________________________________________<\/p>\n 1.Nov | Cinema Ideal<\/p>\n 20.00<\/p>\n Alcindo<\/strong>, Miguel Dores Audience Award – P\u00fablico Newspaper Award for Best Portuguese Film<\/strong><\/p>\n 22.00<\/p>\n Yoon<\/strong>, Pedro Figueiredo Neto, Ricardo Falc\u00e3o Healthy Workplaces Film Award<\/strong><\/p>\n _____________________________________________________________<\/p>\n 2 Nov | Cinema Ideal<\/p>\n 20.00<\/p>\n You Are Ceausescu to Me<\/strong>, de Sebastian Miha\u0306ilescu New Talent Award – TVCine Channels Award for Best First Feature-Length Film<\/strong><\/p>\n 22h<\/p>\n Sounds of Weariness<\/strong>, de Taymour Boulos Fernando Lopes Award – Midas Filmes and Doclisboa Award for Best Portuguese First Film<\/strong><\/p>\n Half a Light-Year<\/strong>, Leonardo Mouramateus Portuguese Authors Society Portuguese Competition Jury Award<\/strong><\/p>\n Distopia<\/strong>, Tiago Afonso Schools Award for Best Film of the Portuguese Competition<\/strong><\/p>\n _____________________________________________________________<\/p>\n 3 Nov | Cinema Ideal<\/p>\n 20.00<\/p>\n The Safest Place in the World<\/strong>, Aline Lata e Helena Wolfenson Canon International Competition Jury Award<\/strong><\/p>\n 22h<\/p>\n Garga\u00fa<\/strong>, de Bruno Ribeiro Volvo Award for Best Short Film<\/strong><\/p>\n 918 Nights<\/strong>, Arantza Santesteban City of Lisbon Award for Best International Competition Film<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" 31 Oct | Cinema S\u00e3o Jorge, Sala 3 14.45 N\u016bh\u016b Y\u00e3g M\u016b Y\u00f5g H\u00e3m: This Land is Our Land!, Isael Maxakali, Sueli Maxakali, Carolina Cangu\u00e7u, Roberto Romero 2020 \u2022 Brazil \u2022 71\u2019 In the past, we used to hunt with our ya\u0303mi\u0303yxop spirits. The whites came, cut down the trees, dried up the rivers and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-24579","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\t\n\t\n\t\n
\n2020 \u2022 Brazil \u2022 71\u2019
\nIn the past, we used to hunt with our ya\u0303mi\u0303yxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. But our ya\u0303mi\u0303yxop are very strong and taught us the stories and chants from the ancient ones who walked around here.<\/p>\n
\n2021 \u2022 Portugal \u2022 75\u2019
\nOn June 10, 1995, to celebrate the Day of the Race and Sporting\u2019s victory in the Portuguese football cup, a group of Portuguese ethno-nationalists went to the streets of Bairro Alto (Lisbon) to beat up Black people. The official outcome was 11 victims, one of which died.<\/p>\n
\n2021 \u2022 Portugal \u2022 84\u2019
\nYoon follows the regular round trip taken by Senegalese carrier Mbaye Sow, on an old Peugeot 504, along the 4000 km that separate the two places he calls home, Portugal and Senegal. It\u2019s a perilous and lonesome journey, filled with (mis)encounters and challenges.<\/p>\n
\n2021 \u2022 Romania \u2022 101\u2019
\nYoung people aged 15 to 22 are auditioning for the role of young Nicolae Ceausescu in the mid-1930s without any preconceived ideas. The result is a portrait of this young generation, a glimpse of Romania\u2019s Communist leader\u2019s legacy.<\/p>\n
\n2021 \u2022 Lebanon, Belgium, Portugal, Hungary \u2022 13\u2019
\nIn the middle of one of his recurrent anxiety attacks, a Lebanese young man living in Brussels finds rest in a self-service laundry. He moves around the place with his microphone, driven by the obsession of understanding the origin of his discomfort.<\/p>\n
\n2021 \u2022 Portugal, Brazil \u2022 19\u2019
\nA young man sits on a busy street in Lisbon to draw the people passing by. Not too distant, a couple talks about the origin of a wallet found months earlier. The light of one moment is reflected on the other.<\/p>\n
\n2021 \u2022 Portugal \u2022 62\u2019
\nOver the course of thirteen years, from 2007 to 2020, the film follows the changes in the social fabric of the city of Porto. Demolitions, evictions and resettlements that affect the Roma community of Bacelo, the inhabitants of Bairro do Aleixo and the sellers at Feira da Vandoma.<\/p>\n
\n2021 \u2022 Brazil \u2022 72\u2019
\nThe film is a portrait of Marlon, after being the victim of a great socio-environmental tragedy: his city was buried by the collapse of a dam. \u201cThe safest place in the world\u201d is how he refers to his original place, today surrounded by cameras and security.<\/p>\n
\n2021 \u2022 Brazil \u2022 20\u2019
\nBruno gest a ride with strangers.<\/p>\n
\n2021 \u2022 Spain \u2022 66\u2019
\nIn 2007, the director was arrested. After 918 nights locked up, she was let out and now re-examines the pictures and words she has kept. Memories of a desire to search for a political place from her vulnerable, imperfect and daring position.<\/p>\n