Benelux – Invited Countries

In partnership with the Film Fund Luxembourg, Flanders Image, SEE NL (a collaboration between the EYE Film Institute and the Netherlands Film Fund) and Wallonie Bruxelles Images, Nebulae — the Doclisboa Industry Space — welcomes the Benelux countries: Belgium, the Netherlands and Luxembourg. The Festival presents a program of co-production meetings, networking activities and a project presentation session featuring works in development and works-in-progress aimed at invited professionals. This year, eleven films are participating, selected by the Festival team through an open call.

Additionally, Benelux producers will take part in Jumpgate — a Nebulae program that brings together around twenty European producers to share experiences and reflect on working practices, fostering collaboration. The group will also include producers from France and Portugal.

The collaboration with the Benelux countries also includes two roundtables: “Reframing: Preservation and Experimentation with Archival Footage”, which aims to reflect on cinematic archives as a space for creation and reinterpretation, connecting the practices of preservation institutions and artists, and exploring ways to critically reinsert archival images into contemporary contexts; and “Challenges of Film Co-production: Asymmetries Between Countries”, which presents co-production case studies between Portugal and Benelux countries, as well as other experiences involving disparate contexts, discussing funding models, economic imbalances and opportunities for collaboration.

 

Selected Projects

Baseball Island

by Lyangelo Vasquez

In the small island of Curaçao, a Little League team tries to continue its nation’s unlikely baseball legacy. Will the community of kids, coaches, and supporters manage to meet expectations and put Liga Pabou back in the spotlight this season?

Production: Sander Verdonk, Thomas den Drijver (New Amsterdam Film Company, Países Baixos / The Netherlands)

The Clearing

by Sabine Groenewegen

During Sumatra’s colonial ‘rubber boom’, the sexual exploitation of female workers was an open secret that has been suppressed until today. This essay of recognition and resistance synthesises found and new footage with sonic, narrative, and visual fabulation.

Production: Manon Bovenkerk (near/by film, Países Baixos / The Netherlands)

Ekspertiza

by Lennart Stuyck / Ralph Collier

Ekspertiza is a documentary thriller that exposes the hidden world of art forgery, geopolitics and blurred truths. The film questions authenticity, power and cultural memory, showing how art and truth remain vulnerable to manipulation.

Production: Bram Conjaerts (Diplodokus, Bélgica / Belgium)

Janyl

by Charlotte de Gottal

Janyl raises four daughters in the remote Kyrgyz mountains, under a fate she never chose. Now facing another pregnancy, she is torn between tradition and harsh rural life, and her hope to give her children a chance at a different future.

Production: Laurence Buelens (Rayuela Productions, Bélgica / Belgium)

Lost and Found

by Fabrizio Maltese

As attacks on LGBTQ+ rights resurface, a bold choreographic collaboration bridges generations to revive early artistic responses to AIDS, reclaiming the body as a site of memory, resistance and radical imagination to guide today’s struggles.

Production: Fabrizio Maltese, Lukas Berg (Joli Rideau Media, Luxembourg)

A Man’s Word

by Marie McCourt

“Driven by a need to understand sexuality, I met with men of my generation. I listened to their reflections on pleasure, their bodies and boundaries to grasp the link between sex and violence and how it can take root without us even realising it.” Marie McCourt

Production: Annabella Nezri (Kwassa Films, Bélgica / Belgium)

Mar Menor

by Petr Lom

Mar Menor, Europe’s first ecosystem with legal personhood, faces a tough battle: stopping polluters and changing behaviour. This film follows the legal fight to protect the lagoon, exploring the concept of Rights of Nature in practice.

Production: Corinne van Egeraat (ZIN Documentaire, Países Baixos / The Netherlands)

The Serpent’s Egg

by Andrés Lübbert

The Serpent’s Egg is a personal and historical documentary that reveals the hidden connections between Nazism, the Chilean dictatorship and the director’s family identity through archival footage, interviews and cinematic recreations.

Production: Maarten D’Hollander and Tim Martens (Krater Films, Bélgica / Belgium)

The Sound of the Future

by Bart Van Peel

The quest for the soul of electronic dance music and its ‘lost’ creator sheds light on the future of music, the collective as opposed to the individual experience, and changing notions of authorship in the context of breakthrough AI technology.

Production: Bram Crols, Nina Payrhuber (Associate Directors, Bélgica / Belgium)

White Veins

by Maxime Coton

Growing up in a Belgian mining region shaped my view of industrial scars. As Europe turns to green energy, three lithium mining projects emerge. Through three lives, the film questions the true cost of our rush towards a so-called sustainable future.

Production: Maxime Coton (RUBIS productions, Bélgica / Belgium)

Who Cares

by Ina Ivanceanu

Guided by the filmmaker’s personal voice and Silvia Federici’s thoughts, Who Cares ventures out to meet care workers off all kinds who are trying to look at and provide care work in new and promising ways.

Production: Alexander Dumreicher-Ivanceanu (Amour Fou, Áustria / Austria), Bady Minck (Amour Fou, Luxemburgo / Luxembourg), Elena Repka & Martin Repka (Sen Film, Eslováquia / Slovakia)

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