A reflection on how cinema approaches forms of work that remain largely invisible, exploring the gestures and bodies that support them. At the same time, film production itself involves crafts and individuals who remain hidden throughout the process.
With support from the European Agency for Safety & Health at Work.
The session will be held in English, with no translation. Free admittance.
Further information about the films Inventory, Bulakna, Wishful Filming
(director)
Director, cinematographer and visual artist from Belgrade, based in Berlin. His feature “From Tomorrow On, I Will” premiered at Berlinale Forum 2019 and won the Jeonju Grand Prize.
(director)
She grew up in Macau in the 80s. In Lisbon she studied Photography and Cinema –on ESTC in 2004 and Ateliers Varan in 2006. She’s co-founder of Terratreme Films, where she develops her work and produces other projects on different stages of creation.
(director)
Sarah Vanagt makes documentaries, video installations and photos, in which she combines her interest for history with her interest for (the origins of) cinema.
(Cinemateca Portuguesa)
Programmer at Cinemateca Portuguesa since 2009. Curated the retrospectives Chris Marker, Michael Snow, Stan Brakhage, Ernie Gehr, S. Paradjanov or “Cinema and Photography”. Directed “Pintura Habitada” (Best Portuguese Feature, Doclisboa2006).