Eva is just passing through Madrid. She spends her days alone: she doesn’t know anyone and isn’t particularly interested in new people. The city is an unfamiliar place where she wanders, her curiosity somewhat numb. But one afternoon, at the Reina Sofía Museum, a man approaches her. He is an Argentine historian researching labour struggles in his country and the figure of Juan Bialet Masse. Maintaining the agility and formal precision that shape her films, Aparicio risks new adventures. In a cinema of serenity and attention to detail, the vitality of a time that cuts through—urgency.