Over the course of twenty-two months, Johann Lurf fixed the gaze of a specially developed 65mm camera on a single fragment of the world: the Ottenstein Reservoir. What begins as a quiet observation of nature gradually transforms into a monumental image of cosmic motion. Lurf explores the relationship between vision and cosmos: the reservoir turns into a planetary clock whose hands are made of light. A film that does not narrate, but reveals how time and sky intertwine—a harmony of the world that ultimately unfolds with unexpected force.

In 35mm print